Okay, we now have a very brief process here, continuing this November 28th afternoon session, which started out with a group demonstration and processing. We're now going to have an experimental technique. I generally test these things once in a while. I test them on individuals, but once in a while I'll test them on a group — small group or a big group — find out what happens.

This is Saturday, November the 28th, a Group Processing session for the Second Unit.

Now, this is experimental. It's not a very difficult technique. It's based on this: Many people have communication lags. These communication lags stem from the fact that there is a distance traversed by particles, evidently, in the mest universe. This is an illusion in this universe, that a distance is traversed by a particle.

Now what we're going to run today is gradient scale of attention.

When this is imitated and duplicated too much by the individual, he himself gets a communication lag because he believes that it takes a certain length of time for a particle to travel from one place to another place. So he begins to duplicate this. And he duplicates it automatically. In other words, it is an automaticity which is entered into him. It isn't that he's duplicated something, that makes him wrong.

We use the motto here that said, "Look, don't think." It would also be, "Look, don't feel." It would be, "Feel, don't use effort." It would be, "Don't use effort, think." See, that's your gradient scale.

Well, every once in a while somebody asks me, "Well now, what about this? You say that if there was an explosion on a certain star, a million years later we would see that star. Well, what is present time then?"

And these characters — pardon me, I didn't mean to call them characters — these bums, these dogs (audience laughter) that will sit there telling you they've got a vague idea that they're doing something, will fool an auditor every doggone time, because they'll go on for some time like this. And believe me, it's a waste of time. No kidding — no kidding, guys. It's just a waste of time to go on and try to do anything.

Present time would be a million years after the event, just because you didn't see it until a million years had gone by.

Now, you saw an example of this. I went on and had him get the idea and get the idea and get the idea. And I — all they're doing is getting the idea. Well good, they got the idea, so what? We want them to look at something. That's what we want. That's what we want to have happen. We want them to look at something. I don't care what they look at. If they can't look at something, they can feel something.

They say, "Therefore present time in this universe is very, very difficult to ascertain"; whereas it's not at all.

Now there's a method of getting people out of their heads called tin-cupping. You have them find four points in the body that they can feel and put some pressure on, and then find four points they can't feel, and then find four points they can feel, and they can't feel. And you would just be utterly amazed. Of course, when you say "feel" in that sense, you mean effort. Where are four points of effort or pain or discomfort — you don't mean emotion. Now, where are these four points of effort and so on? Because these characters are down the line on the subject of effort.

If you were to stop every particle in the universe, in any given instant, you would find them all stopped, and every emanating impulse stopped too. And you could then go over the entire universe and inspect it. And you would find that it was all at that moment of time. And that is our definition for present time. It's that moment of time.

Nobody ever thought his way out of the body, although that's the easiest way to get out of a body. It's the only way to get out of a body, but they — when they're completely sold on effort, completely sold on lookingness, completely sold on the rest of these things, you have to backtrack — and all processing does this. You backtrack the track of agreement. See, you just backtrack it.

Well now, although this star had exploded this minute, and the light wouldn't reach us till a million years went by, this is immaterial. If this is exploding at this instant, and we're here at this instant, the present time of that star's explosion and the present time of our beingness here is simultaneous, and that's both present time. You understand that?

Well, you have to find out where you can enter this case on a basic certainty. The word "certainty" hasn't been used too much with this unit, but we'd better be using it. We'd better be using it.

Well now, this little process simply reaches out in this fashion, okay? Let's just work it out. Do it.

There are processes which are thought processes, which are very good processes, and which very often have to forerun looking processes. And looking processes have to forerun knowing processes.

Let's find present time in China. Just sort of reach for present time in China. This instant in China.

Now these thought processes are pretty well down the line. And you can actually unlock a whole concatenation of thought and get somebody up to knowingness, but you can only do that on the track of certainty.

Now find this instant in Seattle.

And if he's gone down scale to where he's thinking in the eighteenth basement — you know, he's doing a thinking machine job — why, he's having a hard time of it.

This instant here.

So, let's realize what people are doing there. All right. Certainty hasn't been used enough.

In Seattle.

I hate to say this, because a chap here I processed yesterday, a boy — he'd been processed five times by people who should have known what they were doing. Five times! And not one of them had ascertained if he was sure he was out of his head. And yet all the drills he was getting were drills out of his head.

In China.

The first auditor that audited him said, "Can you get a picture of your body in front of you?" as the first step. In other words, he did Step II before he did Step I. He was actually working a Step I.

Here — this instant here.

So the Step I accommodatingly says, "Why yes, I can."

This instant in San Francisco.

And he — the auditor said, "Fine," and went on operating from that point.

This instant here.

Now, each successive session, it was taken for granted that when somebody said to him, "Be three feet back of your head," and he said, "Uh-huh," that he knew he was three feet back of his head. As a matter of fact, he had a picture of himself three feet back of his head. And although he was doing mock-up — although he was getting some benefit from it, for he was doing Mock-up Processing, he was just doing a slow freight. Of course, because he was doing it all with Creative Processing. He wasn't doing it exteriorized.

This instant in your childhood home.

All because an auditor didn't say, "Are you sure you're back of your head?" We — immediately that I asked him this, we got into a big argument. Enormous argument, immediately.

This instant here.

And that was just this. Well, was he a body? Yeah, he was a body. He knew he was a body. Yeah he was in his feet. Sure, everybody's in their feet. You have to be in your feet if you're a body. And we got into this and I finally — I just bluntly said to him, "Well, to hell with it. I'm not going to argue with you any further. You're not a body. Be three feet back of your head and take a look at it, and reach the four upper corners of the room."

This instant in your childhood home.

And he said, "Okay" — did.

This instant here.

I said, "Is that any different from what you've been doing for the last five, ten hours you've been processed?"

This instant in your childhood home.

"Well, yeah, I've never been here before."

This instant here.

"Well, you know you're there, huh?"

This instant on the Moon.

"Yes, I do."

Here.

"Well, all right. Reach and withdraw from the corners of the room several times till you can feel them."

This instant on the Moon.

"Okay." He did. So he took a look around and so he got up on the roof and he says, "Well what do you know, ha-ha!" And this guy was being processed as somebody who had been exteriorized, five times, by auditors who should have known better. Shame on them. Shame on them.

Here.

That's why I usually start a session with: "Be three feet back of your head." I don't care who it is. "All right. Are you there?" Or, if I think the fellow's a little tippy, I say, "Well now, be three feet back of your head. Okay? Now are you in your feet?"

This instant on the Moon.

"No."

Here.

"Knees?"

Now all we're trying to do is reach for this instant in these other areas. You just reach for it.

"No."

This isn't, strictly speaking, Change of Space. You just tell me how you're doing it afterwards.

"Elbows?"

Now get this instant on the Sun.

"No."

This instant here.

"Right shoulder?"

This instant in the nearest galaxy.

"No."

This instant in this galaxy.

"Left shoulder?"

This instant in all this galaxy.

"No."

This instant here.

"Nose?"

This instant in Canada.

"No."

In Montreal.

"Right ear?"

Here.

"No."

Now get this instant in Canada.

"Left ear?"

Montreal.

"No."

Here.

"Front of your forehead?"

This instant in Canada.

"No."

Montreal.

"Back of your head? On the back of your head?"

Here.

"No."

This instant in Montreal.

"Are you back of your head?"

In Canada.

"Yes." He's there.

This instant in Montreal.

Well, now you get somebody who isn't certain, you start running this process, you get up to the point of:

In Canada.

"Are you in your right ear?"

And this instant in Mexico City.

"No."

Mexico.

"Left ear?"

This instant in Mexico City.

"No."

In Mexico.

"In the front of your head?"

This instant in Mexico City.

"No."

In Mexico.

"On the back of your head?"

And this instant in Mexico City.

"Well, yes I think I am."

In all of Mexico.

But this boy is so sold by science and so forth, that he was a body, that it had just never occurred to him, you see. He wasn't educated in Scientology. He — somebody said, "Can you get a picture of your body?" He says, "Okay." Then he thinks "Be three feet back of your head." Well, he thinks that's just kind of silly patter, but he goes on getting pictures of himself as a body, standing behind himself as a body, from inside his head.

And this instant in Mexico City.

Viewpoint drill. He's just using remote viewpoints and mock-ups. Yet he was a — he's a case that just runs like nothing, and that's all right.

In all of Mexico.

And the moment I did that, the despair which had been hanging over this case — this case had been in despair all this time. The case sat there, and I just took a look at this case, and I said, "There's something wrong with him. Nobody who's been exteriorized for five consecutive professional auditor sessions can certainly be sitting there in the depths of despair, period." Although he was very polite, and he was very cheerful and so forth. So I just went to work to find out what the hell was wrong with him. I found out in a hurry. An auditor had never asked him this question: "Are you sure you're back of your head?"

And this instant on the North Star.

You know, there isn't any substitute for it. It's — you know, if you had an anvil lying on your chest, would you know it was on your chest? Hm? You suppose you would? Well, now that's the degree of certainty people have when they're completely certain they're exteriorized. I mean, they know there's an anvil on their chest or there isn't an anvil on their chest, see?

And this instant on the North Star.

Now, you just have to work people's certainty up. Now, on the basis of perception, I find more people having a difficult time with how you pick up people's perception. But you duplicate it. You duplicate what they're perceiving.

And this instant on the North Star.

In other words, you duplicate the room and make it disappear. And you duplicate it and make it disappear. And you duplicate it and make it disappear. And you duplicate it and make it disappear. And all of a sudden an automaticity shows up and the room turns over and goes backwards, so you say to him, "All right, now mock up the room and turn it over and make it go backwards. Now mock it up and turn it over and make it go backwards and throw it away. And mock it up and turn it over, make it go backwards and throw it away."

And this instant on the Sun.

And they say, "Okay."

And on Earth.

Now you say, "Duplicate the room."

And on the Sun.

"Yeah."

And on Earth.

"Duplicate the room. Duplicate the room."

On the Sun.

"Yeah, I can see now."

On Earth.

I mean the answer to no perception, for your purposes, could be many, of course, but the answer to no perception is: duplicate it.

And this instant on the Sun.

Now, I'm going to run a dirty trick on this group this afternoon in this Group Process. This is real mean, and I shouldn't do this, but I don't think that you individually have nerve enough to run it on each other, so I'm just going to run it on you as a group, and mess you all up and let you straighten yourselves out. You'll be better for it in the long run, but I've posted the names of hospitals and so forth for you after the session. So you want to brace yourself against receiving any effect from this. (audience laughter) And the main thing that we're interested in is a thinking process that does something that matches up with automaticity. And that's what I'm going to do.

And this instant on Earth.

Today I'm going to run the gradient scale of attention. And I'm not going to tell you about it first. I'm just going to run it on you. Period. All right.

And this instant on the Moon.

I want you to waste a machine, a being, a gimmick, a gadget; now let's waste this machine — waste it now, and know you're wasting it — that worries about you. Waste a machine that worries about you.

And here. Okay.

Can't waste it all at once, waste a cog off of it or a bolt.

Now let's get this instant all across the North Atlantic.

Make sure it's wasted.

And this instant on Greenland.

Get this one wasted. A machine that worries about you.

And this instant on Greenland.

Now let's get somebody else wasting a machine that worries about him.

And this instant all across the North Atlantic.

Somebody else wasting a machine that worries about him. And get that one wasted. All right.

And this instant in Mexico.

Now get somebody wasting somebody else's machine that worried about that somebody else.

North America.

And somebody wasting your machine that worried about you. Wasting your machine that worried about you. Have them wasting it real good.

Mexico.

Now let's get you wasting somebody's machine that worried about him. Okay.

North America.

Throw away any mock-ups you've made now, and get you wasting a machine that worries about you.

Mexico.

Somebody else wasting a machine that worries about him.

North America.

And somebody else wasting somebody else's machine that they use to worry about them.

Your childhood home.

Somebody wasting your machine that worries about you. Somebody wasting your machine that worries about you.

North America.

And you wasting somebody else's machine that worries about him. Okay.

Your childhood home.

Throw any residue away.

North America.

Now, give me hands: Who isn't sure he got one wasted? You haven't got one wasted yet?

Your childhood home.

Male voice: Well, I take the machine out and find night crawlers to go fishing, and I figure that's wasting it but I'm not sure.

North America.

You what?

Your childhood home.

Male voice: I take the machine out and find night crawlers to go fishing — angleworms.

Your childhood home.

Well, all right. Is that wasting it?

North America.

Male voice: It's just — I think it is but it don't sound right.

Your childhood home.

All right. Now, let's get you wasting a machine that worries about you. You, too. Have you wasted one yet?

Here.

Male voice: In brackets, six ways.

North America.

Hm, all automatically. You waste one and know you're doing it.

Your childhood home.

Now get somebody else wasting a machine that worries about him. Get it so you know you're wasting it, and he's wasting it and so forth.

Here.

Somebody wasting a machine of somebody else's that worries about him.

North America.

And somebody wasting a machine of somebody else's that worries about him.

Your childhood home.

And somebody wasting your machine that worries about you.

Earth.

And you wasting somebody else's machine that worries about him or her.

Your childhood home.

And you not having a machine that worries about you. Just get the idea.

All around Earth.

And somebody else not having a machine that worries about him.

This instant all around Earth.

And somebody not having somebody else's machine that does worrying for him.

This instant all around Earth.

And somebody not having your machine that worries about you.

This instant all around Earth.

And you not having somebody else's machine that worries about him or her.

This instant all around Earth.

And you wasting a person that worries about you.

This instant all around Earth.

And somebody else wasting a person that worries about him or her.

Your childhood home.

Male voice: I have to get a way to waste different.

This instant at your childhood home.

Do it.

This instant in North America.

And somebody wasting a person who worries about somebody else.

This instant in your childhood home.

And somebody wasting a person who worries about you.

This instant in England.

And you wasting a person who worries about somebody else. Okay.

This instant in North America.

Throw any residue you have away there.

This instant in England.

Now, who's getting factual incidents?

North America.

Male voice: I am.

England.

Factual incidents?

North America.

Male voice: Well, do you mean just flat, kind of coming by and going on?

England.

Yeah. Factual incidents. I mean real incidents — locks . . .

The North Pole.

Male voice: No, no.

England.

. . . that sort of thing.

The North Pole.

Male voice: Wasting some real people.

England.

Hm.

The North Pole.

Who's wasting real people?

England.

Audience responses: Yeah. Yes.

The North Pole.

In other words, some locks are coming up.

England.

Audience responses: Yes. Yeah.

The North Pole.

All right. Now you saving a person who worries about you.

England.

And somebody else saving a person who worries about him.

The North Pole.

And somebody wasting somebody else's person who worries about them.

England.

And somebody wasting a person who worries about you. If you skip one, it's all right. I'm going to beat this to death, so it's no worry. Hm?

The North Pole.

Female voice: Saving — don't you mean saving?

Your childhood home.

Saving, that's right. Beg your pardon. Somebody saving a person. Waste one and then save one.

This instant in your childhood home.

And you wasting a person who worries about somebody else.

Here.

And you saving a person who worries about somebody else.

This instant in your childhood home.

And somebody wasting a person who worries about you.

Here.

And somebody saving a person who worries about you.

This instant in your childhood home.

And somebody not saving a person who worries about you.

Here.

And you not saving a person who worries about somebody else.

Now this instant in your childhood home.

And you desiring a machine to worry about you.

Here.

And somebody else desiring a machine to worry about him. The motto of that, of course, is "if somebody would only care."

This instant in your childhood home.

And somebody desiring a person who worries about somebody else.

Here.

And somebody desiring a person who worried about you.

This instant in this galaxy.

And you desiring a person who worried about somebody else.

This instant on Earth.

And you being curious about things which worry about you.

This instant in the galaxy.

And somebody else being curious about things that worry about him.

On Earth.

And other people being curious about things which other people worry about.

The galaxy.

And somebody being curious about things which worry you.

Earth.

And you being curious about things which worry other people.

The galaxy.

And you wasting a machine which gives you attention, at any price.

Earth.

And somebody else wasting a machine which gives him attention.

The galaxy.

And somebody wasting a machine that gives somebody else attention.

Earth.

And somebody wasting a machine which gives you attention.

The galaxy.

And you wasting a machine which gives somebody else attention. All right.

Earth.

Throw any mock-ups you've got there — things done there.

The galaxy.

Who am I going too fast for? Who am I going too slow for? Okay. Going too slow for you, huh?

Earth.

Male voice: A bit.

The simultaneous instant in this and the next galaxy.

All right. Who else am I going too slow for? All right.

Earth.

All right. Now, any locks show up? Locks?

This and the next galaxy.

Male voice: Oh, yeah.

Earth.

Really?

The next galaxy and this galaxy, simultaneous instant.

Male voice: Wonderful cartoons.

Earth.

All right. Let's get you wasting a machine which worries about you.

Childhood home.

Somebody else wasting a machine that worries about him.

This instant in the space where you were born.

Somebody wasting somebody else's machine that worries about them.

This instant in the space where you were born.

Somebody wasting a machine that worries about you.

This instant here.

And you wasting a machine that worries about somebody else.

The instant in the space where you were born.

And you wasting a person that worries about you.

This instant in the space where you were born.

Somebody else wasting a person that worries about him.

This instant here.

Somebody wasting somebody else's person that worries about that somebody else.

This instant in the space where you were born — this instant.

And somebody wasting a person that worries about you.

And this instant here.

And you wasting a person that worries about somebody else.

And this instant in this and the nearest galaxy.

And you wasting somebody that cares for you.

And this instant in the place where you were born.

And somebody else wasting somebody that cares for him.

This instant in this and the nearest galaxy.

And somebody else wasting somebody else that cares for her.

This instant in the space where you were born.

And somebody wasting a person that cares for somebody else.

And this instant in the space where you were born.

And somebody wasting a person that cares for you.

And this instant in the space where you were born.

And you wasting a person that cares for somebody else.

And this instant in the space where you were born.

And you saving a machine that worries about you.

And this instant in the space where you were born.

And somebody else saving a machine that worries about him.

And this instant here.

Somebody saving a machine that worries about somebody else.

This instant in the United States.

And somebody saving a machine that worries about you.

This instant in Canada and Mexico.

And you saving a machine that worries about somebody else.

This instant in Canada and Mexico.

And you accepting a machine which worries about you.

This instant in Canada, Mexico and the United States.

And somebody else accepting a machine that worries about her.

This instant in the space where you were born.

And somebody else accepting a machine that worries about somebody else.

This instant in the space where you were born.

Somebody accepting a machine that worries about you.

This instant in this room.

And you accepting a machine that worries about somebody else.

This instant in the space where you were born.

And you desiring a machine that worries about you.

This instant in this room.

And somebody desiring a machine that worries about her.

This instant in your own universe.

And you building such a machine for them.

This instant here.

And somebody worrying about machinery that worries other people.

This instant in your own universe.

And somebody desiring machinery to worry you.

Here.

And you desiring machinery to worry others.

Your own universe.

And you wasting a machine that stops you worrying. You wasting a machine that stops you worrying.

Here.

And somebody else wasting a machine that stops him from worrying.

Your own universe.

And somebody wasting somebody else's machine that stops them from worrying.

Here.

And somebody else wasting your machine that stops you from worrying.

Your own universe.

And you wasting somebody else's machine that stops them from worrying.

Here.

And you wasting a barrier — a protective barrier.

Your own universe.

Somebody else wasting a protective barrier.

Here.

And somebody wasting somebody else's protective barrier.

Your own universe.

And somebody wasting your protective barrier, by penetrating it, of course.

Here.

And you wasting somebody else's protective barrier.

Your own universe.

And you desiring a machine to worry about you.

Here.

And somebody else desiring a machine to worry about him.

Somebody else's universe.

And somebody desiring somebody else's machine to worry about them.

This instant in somebody else's universe.

And somebody desiring your machine that worries about you, such as an auditor.

Here.

And you desiring somebody else's machine that worries about them.

Your own universe.

You being curious about a machine that worries you.

Your own universe.

And somebody else being curious about an automaticity that worries him.

This universe.

And somebody else being curious about somebody else's automatic worrying machines.

Somebody else's universe.

And somebody being curious about your machine that worries you.

Your own universe.

And you being curious about somebody else's machine that worries them.

This universe.

And you wasting a machine that gives you action.

Somebody else's universe.

And somebody else wasting a machine that gives you action.

Your own universe.

And somebody else wasting a machine that gives him action.

This universe.

And you wasting one that gives him action.

Somebody else's universe.

And somebody wasting a machine that gives somebody else action.

Your own universe.

And get the idea of you having a worrying machine.

This universe.

Somebody else having a worrying machine.

Somebody else's universe.

And somebody having somebody else's worrying machine.'

Your own universe.

And somebody having your worrying machine.

This universe.

And you having somebody else's worrying machine.

Somebody else's universe.

And you not having a person who worries about you.

Your own universe.

And you having a person who worries about you.

Somebody else's universe.

And you not having a person who worries about you.

Your own universe.

And you having a person to worry about.

Somebody else's universe.

And you not having a person to worry about.

Your own universe.

And somebody else having a person to worry about.

Somebody else's universe.

And somebody else not having a person to worry about.

Your own universe.

And somebody having a person that should be with somebody else.

Somebody else's universe.

And somebody worrying about people that belong to somebody else.

Your own universe.

And somebody else not having anybody to worry about.

Somebody else's universe.

And somebody else having somebody to worry about.

Your own universe.

And somebody else not having anybody.

Somebody else's universe.

And somebody else having somebody.

This universe.

And you never being able to have anybody.

Somebody else's universe.

You always having to have somebody.

This universe.

You never being able to have anybody.

Somebody else's universe.

You always having to have somebody.

This universe.

Somebody else always having to have you around.

Somebody else's universe.

Somebody else never being able to have you around.

This universe.

And other people always having to have other people around.

Somebody else's universe.

And other people never being able to have anybody around.

Your universe.

And you having to have somebody around.

Somebody else's universe.

And you not being able to have somebody around.

Your universe.

Somebody else having to have somebody around.

Somebody else's universe.

Somebody else never having to have anybody around.

Your universe.

You always being confronted with somebody.

Somebody else's universe.

Somebody else always being confronted with somebody.

Your universe.

And somebody else having a machine that confronts him with things.

This universe.

And somebody else having a machine which inhibits things from con­fronting him.

Mest universe.

You having a machine that confronts you with things.

Mest universe, two galaxies.

And you having a machine that stops things from confronting you.

The space where you were born.

And you having a machine that confronts you with things.

Two galaxies.

And you with an automaticity that stops things from confronting you.

Space where you were born.

And somebody else having a machine that stops things from confronting others.

Two galaxies.

And other people not having such machines.

Space where you were born.

And other people having such machines.

Two galaxies.

You having no machines to worry about.

Space where you were born.

Other people having no machines to worry about.

Two galaxies.

The mest universe containing machines to worry about.

Space where you were born.

A universe which contains no machines to worry about.

This instant in the place you entered the mest universe.

You wasting something which does things for you.

This instant in the place you entered the mest universe.

Somebody else wasting something that does something for him.

Here.

Somebody wasting things that does things for other people.

The place you entered the mest universe.

Somebody wasting something that does something for you.

Here.

You wasting something that does something for somebody else.

The place you entered the mest universe.

You wasting something that gives you attention.

Here.

Somebody else wasting something that gives him attention.

The place you entered the mest universe.

Somebody else wasting something that gives other people attention.

Here.

Somebody wasting something that gives you attention.

The place you entered the mest universe.

That again. Somebody else wasting something that gives you attention.

Here.

You wasting something that gives somebody else attention.

Your own universe.

And again. You wasting something that gives somebody else attention.

The place you entered the mest universe, this instant.

You desiring an automaticity which worries about you.

Here.

Somebody else desiring an automaticity that worries about him.

Your own universe.

Somebody else desiring automaticities that worry about others.

The place you entered the mest universe.

You desiring an automaticity that worries about somebody else.

Here.

You desiring a machine which permits you to forget about worrying.

Somebody else's universe.

Somebody else desiring a machine that permits him to forget about worrying.

The place you entered the mest universe.

Somebody desiring machinery that will let other people forget about worrying.

Somebody else's universe.

Somebody desiring something that will make you forget about worrying.

The place where you entered the mest universe.

And you desiring something that will make other people forget about worrying. Okay.

Here.

Now let's mock yourself up in the future worried to death.

Somebody else's universe.

Get yourself going on away to dust.

Here.

Get yourself in the future bored to death because you haven't anything to worry about.

Present time, mest universe.

Get that gone away to dust.

Present time, mest universe total.

And somebody else dead in the future because they weren't permitted to worry.

Present time, mest universe total.

And somebody else dead in the future because they worried too hard. That's one — man, it sweeps up — that was Mother. (audience laughter)

This instant, mest universe total.

Now somebody dead in the future who solely desired to be worried about by others, and never worried.

Your own universe total.

Now get this person dead again. He only desired to be worried about by others and never did any worrying himself or herself.

Somebody else's universe total.

Dead again.

Here.

Dead again.

Place you entered the mest universe.

Get that person dead another way now, more painful.

Here.

Get that thing worrying, now, in hellfire forever. The source of Christianity, I'm sure.

The place you entered the mest universe.

Now get that person worrying again in hellfire forever.

Here.

And get you worrying in hellfire forever.

The place you entered the mest universe.

And get you dead in the future because you couldn't solve it.

Here.

And you dead in the future because there was nobody to worry about you.

The place you entered the mest universe.

And again, you dead in the future. And let time make it disappear.

Here.

And you dead in the future. Let time make it disappear.

The place you entered the mest universe.

Again, you dead in the future. Make time make it disappear.

San Francisco.

Let's get the idea now of waiting so that time will make it disappear.

The place you entered the mest universe.

Get you dead in the future because time caught up with you.

San Francisco.

Get you dead in the past. And get time make that disappear.

This instant at the place you entered the mest universe.

And you dead in the past. Get time make that disappear.

This instant in San Francisco.

And you again, dead in the past. Get time make that disappear.

This instant here.

And get you wasting a machine that lets you know you were dead.

This instant in the place you entered the mest universe.

And get you wasting a machine that keeps you from knowing you were dead.

This instant in San Francisco.

And somebody else wasting a machine that keeps him from knowing he was dead.

The pattern of particles which makes it this instant here.

And somebody else wasting a machine that lets them know they were dead.

The pattern of particles which makes it this instant here.

Somebody else wasting a machine that keeps them from knowing they're dead.

The pattern of particles which makes it this instant here.

Now let's get some kind of an idea or a picture, preferably a picture, of you being unconscious and trying to regain consciousness. All right.

The actions which make it this instant here.

Kill the mock-up. Make it disappear.

The actions which make it this instant here.

And get you, yourself — a thetan now — unconscious and trying to become conscious again.

Your own universe.

And again, unconscious and trying to become conscious.

MEST universe.

And again, as a thetan, unconscious and trying to become conscious.

Somebody else's universe.

And again, as a thetan, unconscious, trying to become conscious.

Another person's universe.

Now mock that up as perishing because you couldn't.

Another person's universe.

And again, perishing because you couldn't.

Another person's universe.

And again, perishing because you couldn't.

Here.

Now mock up your body unconscious and you trying to make it conscious.

Be the space of your body.

And now other people trying to make it conscious and you knocking it off.

The space of this room.

And you going happily on your way.

The space of your body.

And the body — now get the body, now, unconscious — other people trying to make it conscious, and you going happily on your way and the body dying.

The space of this room.

And some other body unconscious and you trying to make it conscious. Somebody else's body unconscious and you trying to make it conscious. And get the other person knocking it off. The other thetan knocking it off.

Be the space of your body.

Now let's waste a machine that makes you unconscious.

The space of this room.

Somebody else wasting a machine that makes him unconscious.

The space of your body.

And somebody else wasting other people's machines that make them unconscious.

The space of the building.

And you wasting a machine that makes somebody else unconscious.

The space of your body.

And somebody wasting a machine that makes you unconscious.

The space of the building.

Now mock yourself up in the future, dead because of this processing.

The space of your body.

And the rest of the class dead in the future because of this processing.

The space of the building.

And you dead because of this processing.

The space of your body.

And me dead because I processed you.

The space of this building.

And you dead because you didn't process properly. (audience laughter)

The space of your body.

And me dead because I didn't process you properly.

The space of this building.

And the rest of the class dead because they weren't processed properly.

The space of your body.

And you dead because it was your fault.

The space of Camden.

And you dead again because it was your fault.

The space of your body.

And you dead because you didn't do a good job as an auditor.

The space of Camden.

And somebody else dead because you didn't do a good job as an auditor.

The space of your body.

And some other thetan crazy forever because you didn't do it right. (audience laughter)

The space of Camden.

And you as a thetan crazy forever because it wasn't done right.

The space of your body.

And the rest of the class crazy as thetans forever because it wasn't done right.

The space of Philadelphia.

And you dead because the communication system wasn't exactly followed.

The space of your body.

Now translate that into "ritual": You dead because the ritual wasn't exactly followed.

The space of Philadelphia.

And somebody else dead because the ritual wasn't exactly followed.

The space of your body.

And somebody else dead because the ritual was exactly followed. (audience laughter)

Space of Philadelphia.

And you dead because the ritual was exactly followed.

Space of your body.

And you dead because the ritual was exactly followed.

Space of Philadelphia.

Now get great admiration for the precision of rituals.

Space of New York.

Get admiration for the precision of rituals which kill you.

Space of your body.

And admiration for the precision of rituals which keep you alive.

Space of New York.

And get you desiring no barriers on any communication system.

Space of your body.

And you desiring close barriers on a communication system.

All the space between Philadelphia and New York.

And you getting such close barriers that you're dead.

Space of your body.

Now mock yourself up dead. Mock yourself up dead in the future. Mock yourself up again, dead in the future. Mock yourself up again, dead in the future. Mock the rest up — the human race — dead in the future. Everybody dead in the future. Earth dead in the future. Everything dead in the future. Everything finally finished. Get nothing persisting. Okay.

All the space between Philadelphia and New York.

From wherever you are, exteriorized or interiorized, look all the way to the right.

Space of your body.

First find the wall to the right.

Space between Philadelphia and New York.

Look through the wall and find nothing.

Space of your body.

Look up.

Space of the eastern half of the United States.

Find the ceiling.

Space of your body.

Look through the ceiling and find nothing.

Space of the eastern half of the United States.

To the left.

Space of your body.

Find the wall.

Space of the eastern half of the United States.

Look through the wall, find nothing.

Space of your body.

Look down.

Space of the United States.

Find the floor, through the floor and find nothing.

Space of your body.

The front wall of the room — look through it and find nothing.

Space of the United States.

The back wall of the room — look through it and find nothing.

Space of your body.

Sit there for a moment and know.

Space of the United States.

Take a deep breath.

Space of your body.

Stand up and take a breather.

Space of North America.

Space of your body.

Space of North America.

Space of your body.

Space of North and South America.

Space of your body.

Space of North and South America.

Space of your body.

Space of North and South America.

Space of your body.

Space of North and South America.

Space of your body.

Space of Earth.

Space of your body.

Space of Earth.

Space of your head.

Space of Earth.

Space of your head.

Space of Earth.

Space of your head.

Space of Earth.

Space of your head.

Space of the Moon.

Space of your head.

Space of the Moon.

Space of your head.

Space of the Sun.

Space of your head.

Space of the Sun.

Space of your head.

Space of the Sun.

Space of your head.

Space of the Sun.

Space of your head.

Space of the Sun.

Space of your head.

Space of the Sun.

Space of your head.

This instant, space of the Sun.

This instant, space of the Sun.

This instant, space of the Sun.

This instant, space of the Sun.

This instant, space of the Sun.

This instant, space of the Sun.

This instant, space of your head.

Space of the Sun.

Space of your head.

Space of the Sun.

Space of Earth.

Space of Sun.

Space of Earth.

Space of your head.

Space of a solar system.

Space of your head.

Space of the solar system.

Space of your head.

Space of the solar system.

Space of your head.

Space of the solar system.

Space of your head.

This instant, space of the solar system.

This instant, space of the solar system.

This instant, space of the solar system.

This instant, space of your head.

Space of the solar system.

Space of your head.

Space of this galaxy.

Space of your head.

Space of this galaxy.

Space of your head.

Space of this galaxy.

Space of your head.

Space of this galaxy.

Space of your head.

No space.

Space of your head.

No space.

Space of your head.

No space.

Space of your head.

No space.

Space of your head.

No space.

Space of your head.

No space.

Space of the galaxy.

No space.

Space of the galaxy.

No space.

Space of the galaxy.

No space.

Space of the galaxy.

No space.

Space of the mest universe.

No space.

Space of the mest universe.

Space of your head.

Space of the mest universe.

Space of your head.

Space of the mest universe.

Space of your head.

Space of your own universe.

Space of your head.

This instant, your mest universe space.

This instant mest universe space.

This instant, space of your head.

This instant, space of your own universe.

Space of your own universe.

Space of your head.

Space of somebody else's universe.

Space of your head.

Space of your own universe.

Space of your head.

Space of somebody else's universe.

Space of your head.

Space of somebody else's universe.

Space of your head.

Space of your own universe.

Space of your head.

Space of somebody else's universe.

Space of your head.

Space of your own universe.

Space of your head.

Space of the galaxy.

Space of your head.

No galaxy.

Space of your head.

No galaxy.

Space of your head.

No galaxy.

No galaxy, no head.

No galaxy, no head.

No galaxy, no head.

No own universe.

No own universe, no mest universe, no head.

No other people's universe.

No head, no other people's universe.

No head, no other people's universe.

No head, no other people's universe.

No head, no other people's universe.

No perception.

Perception.

No perception.

Perception.

No perception.

Knowingness.

Perception.

Knowingness.

Perceivingness.

Knowingness.

Perceivingness.

Knowingness.

Perceivingness.

Knowingness.

Perceivingness.

Knowingness.

Perceivingness.

No perceivingness.

Knowingness.

Perceivingness.

No perceivingness.

Knowingness.

Perceivingness.

No perceivingness.

Knowingness.

Perceivingness.

No perceivingness.

No perceivingness.

Perceivingness.

Knowingness.

No perceivingness.

Perceivingness.

Knowingness.

No perceivingness.

Perceivingness.

Knowingness.

No perceivingness.

Perceivingness.

Knowingness.

No perceivingness.

Perceivingness.

Knowingness.

No space.

All space.

No space.

All space.

No space.

All space.

This instant in all space.

This instant in all space.

This instant in all space.

This instant in all space.

This instant in all space.

No space.

All space, no space.

All space, no space.

Put your attention on your body.

Put it on the room.

Lift it from the room to the body.

Lift it from the body to the room.

Lift it from the room to the body.

From the body to the room.

To the back of the room.

To the front of the room.

To the back of the room.

To the front of the room.

To the back of the room.

To the front of the room.

To the back of the room.

To the front of the room.

To the side of the room.

To the other side of the room.

To the first side of the room.

To the second side of the room.

The first side of the room.

The second side of the room.

The first side of the room.

The second side of the room.

The first side of the room.

The second side of the room.

Attention on your body.

Attention on the ceiling.

Attention on your body.

Attention on the ceiling.

Attention on your body.

Attention on the ceiling.

Attention on the front of your body.

Attention on the ceiling.

Attention on the front of your body.

Attention on the ceiling.

Your attention on the back of your body.

Attention on the ceiling.

This instant on the back of your body.

This instant on the ceiling.

This instant on the back of the body.

This instant on the ceiling.

This instant on the back of the body.

This instant on the back of the room.

This instant on the back of the body.

This instant on the back of the room.

Back of the body.

Back of the room.

Back of the body.

Back of the room.

Back of the body.

Back of the room.

This instant, space of the room.

Space of the body.

Space of the head.

No space.

No space.

Space of the body.

Space of the room.

Space of the town.

Space of the galaxy.

Space of the universe.

Space of all universes.

No space.

Attention on your feet.

Attention on the ceiling.

Attention on your feet.

Attention on the ceiling.

Attention on the ceiling and find no ceiling.

Feet, find no feet.

Ceiling, no ceiling.

Feet, no feet.

Ceiling, no ceiling.

Back of the room, no back of the room.

Back of the room, no back of the room.

Put your attention on the back of the room and find no back of the room.

Put your attention on the back of the room and find no back of the room.

Attention on the front of the room and find no front of the room.

Attention on the front of the room and find no front of the room.

Attention on the right side of the room and find no right side.

Attention on the right side and find no right side.

Attention on the left side of the room and find no left side of the room.

Attention on the left side of the room and find no left side of the room.

Attention on the ceiling.

Attention on the floor.

Attention on the ceiling.

Attention on the floor.

Attention on the ceiling.

Attention on the floor.

Attention on the ceiling.

Attention on the floor.

Attention on the front of the room.

On the body.

On the back of the room.

Front of the room.

Body.

Back of the room.

Front of the room.

Body.

Back of the room.

Back of the room.

Attention on the body.

Attention on the front of the room.

Attention on the ceiling.

Attention on the body.

Attention on the floor.

Attention on the ceiling.

Attention on the body.

Attention on the floor.

Attention on the floor.

Attention on the body.

Attention on the roof.

Attention on the ceiling.

Attention on the body.

Attention on the basement.

Attention on the roof.

Attention on the body.

Attention on the basement.

Attention on the roof.

Attention on the body.

Attention on the basement.

Attention on the body and no body.

Attention on the ceiling.

Attention on the body and no body.

Attention on the ceiling.

Attention on the body and no body.

Attention on the ceiling.

Attention on the body and no body.

Attention on the ceiling and no ceiling.

Attention on the body and no body.

Attention on the ceiling and no ceiling.

Attention on the floor and no floor.

Attention on the basement and no basement.

Attention on Earth and no Earth.

Attention on this universe, no universe.

Attention on your own universe, no universe.

Attention on your own universe, no universe.

Put up a barrier and look through it.

Put up another barrier and look through it.

Put up another barrier and look through it.

Put up a barrier behind you and look through it.

Put up a barrier behind you and look through it.

Attention on your head.

Attention on your shoes.

Attention on your head.

Attention on your shoes.

Attention on your head.

Attention on your shoes.

Attention on the ceiling.

On the roof.

On the sky.

On black space.

On nothingness.

Attention on knowingness.

Attention on your head.

Attention on knowingness.

Attention on your head.

Attention on knowingness.

Attention on the ceiling.

Attention on knowingness.

Attention on the ceiling.

Attention on concentrating.

Attention on the ceiling.

Attention on concentrating.

Attention on the ceiling.

Attention on concentrating.

Attention on the ceiling.

Attention on your eyeballs.

Attention on the ceiling.

Attention on your eyeballs.

Attention on the ceiling.

Attention on the floor.

No body.

Find no body.

Find no floor.

Find no ceiling.

Find no walls.

Find no building.

Find no Camden.

No Earth.

Find no space.

Attention on your feet.

Attention on your hair.

Attention on your feet.

Attention on your hair.

Attention on the walls of the room.

Attention on the body, the four upper corners of the room.

Attention on the body, the four upper corners of the room.

Attention on the body, the four upper corners of the room.

Four upper corners of the room, attention on the body.

Four upper corners of the room, attention on the body.

Attention to sound.

Attention to sight.

Attention to sound.

Attention to sight.

Attention to sound.

Attention to sight.

Attention to sound.

Sound.

Sound.

Attention to sight.

Attention to sound.

Sound.

Sound.

Attention to sight.

Attention to sound.

Sound.

Sound.

Attention to sight.

Attention to sound, and no sound.

Sound.

Sound.

Sound.

No sound.

Sound.

Sound.

Sound.

Attention to no sound now.

Sound.

Sound.

Sound.

Sound.

Sound.

Sound.

Sound.

Attention to no sound. Get the nulls between the sounds.

Sound.

Sound.

Sound.

Sound.

Attention on the ceiling.

Attention on sight.

Attention on sound.

Attention on sight.

Attention on sound.

Attention on what's coming in.

On what's going out.

On what's coming in.

On what's going out.

On what's coming in.

On what's coming out.

Attention on the mest universe.

Attention on your own universe.

On the mest universe.

Your own universe.

The mest universe.

On your own ridges and find no ridges.

On the walls and find no walls.

And your ridges and find no ridges.

And the walls and find no walls.

And your ridges and find no ridges.

Ridges and find no ridges.

Ridges and find no ridges.

Energy deposits and find no energy deposits.

Body and find no body.

Energy deposits and find no energy deposits.

Body and find no body.

Energy deposits, find no energy deposits.

Body and find no body.

Put new energy deposits in.

Change those to other energy deposits.

Change those to other energy deposits.

Change those to other energy deposits.

Attention on knowing.

Attention on doing.

Attention on knowing.

Attention on doing.

Attention on knowing.

Attention on doing.

Attention on nothing.

Attention on the ceiling.

Attention on the floor.

Attention on the four upper points of the room, four upper corners of the room, plus the four lower points of the room.

Hold it.

Four upper points of the room, four lower points of the room. Hold it.

Attention on receiving no effects.

Attention on receiving effects.

Receiving no effects.

Receiving effects.

Receiving no effects.

Receiving effects.

Receiving no effects.

Receiving effects.

Receiving no effects.

Receiving effects.

Receiving no effects.

Receiving effects.

Receiving no effects.

Attention on any visio you don't like, whether black, white or green, doesn't matter. Any visio you don't like.

Attention on no visio.

On a visio you don't like.

On no visio.

On the visio you don't like on your nose.

A visio you don't like on your nose.

On a visio you don't like on your nose.

A visio you don't like on your ears.

On the visio you don't like on the hair of your head.

On a visio you don't like on the hair of your head.

A visio you don't like on the hair of your head.

On a visio you don't like beyond it.

On a visio you don't like, attention beyond it.

A visio you like, attention beyond it.

A visio you like, attention beyond it.

Be the space of the room.

The space of your head.

The space of the building.

The space of the mest universe.

A cubic millimeter of space inside your head.

The space of the universe.

A cubic millimeter of space inside your head.

Be the space of your stomach.

Space of your head.

The space of your stomach.

The space of your head.

The space of your stomach.

The space of your head.

The space of your stomach.

The space of your head.

The space of the room.

The space of your stomach.

The space of the room.

The space of the stomach.

The space of the room.

The space of the stomach.

Space of the room.

The space of the stomach.

Space of your right big toe.

The space of the room.

Space of your right big toe.

Space of the room.

Space of your body.

Space of your head.

Space of the room.

Space of your head.

Space back of your head.

Space of your head.

Space back of your head.

Space of your head.

Space back of your head.

Space of your head.

Space back of your head.

Space of your head.

Space back of your head.

Space in front of your body.

Space in back of your body.

Space in front of your body.

Be the space in front of your body.

Be the space in back of your body.

Be the space in front of your body.

Be the space in back of your body.

Be the space in front of your body.

Be the space in back of your body.

Mock up eight anchor points anywhere and be its space.

Knock the eight down and be no space.

Put up eight anchor points anyplace and be its space.

Knock the space down and be no space.

Put up eight anchor points anywhere and be its space.

Knock the space down and be no space.

Put up eight anchor points anyplace and be its space.

Knock the space down, be no space.

Be the space of a grave.

Be this instant, space of the grave.

This instant, space of the body.

This instant, space of the grave.

This instant, space of the body.

This instant, space of the grave.

This instant, space of the body.

This instant, space of any grave.

This instant, space of the body.

This instant, space of any grave.

This instant, space of your body.

This instant, space, any grave.

This instant, space, any body.

This instant, space, any grave.

This instant, space, any body.

This instant, space, any grave.

This instant, space, this body.

This instant, space, a grave.

This instant, space, this body.

This instant, space, a grave.

Space of a grave.

Space of a grave.

Space of a grave, in this instant.

Space of a grave, in this instant.

Space of a grave, in this instant.

Space of this body.

Space of the grave.

Space of this body.

Space of the grave.

Space of this body.

The space of a grave.

The space of this body.

The space of a skeleton.

Space of this body.

A space of a skeleton.

The space of this body.

The space of a skeleton.

The space of this body.

The space of a skeleton.

The space of this body.

The space of a skeleton.

The space of this body.

This instant, space of a skeleton.

This instant, space of this body.

This instant, space of a skeleton.

This instant, space of this body.

This instant, the space of some grave dust.

This instant, space of this body.

This instant, the space of some grave dust.

This instant, space of this body.

This instant, space of some grave dust.

This instant, space of this body.

Grave dust.

This body.

Grave dust.

This body.

No dust.

This body.

No dust, no space.

This body.

No dust, no space.

This body.

Space of a skull.

Space of this body.

Space of a skull.

Space of this body.

Space of a skull in a grave.

Space of this body.

Space of a skull in a grave.

Space of this body.

Space of a skull in a grave.

Space of this body.

This instant, space of a skull in a grave.

Space of this body.

This instant, space, a skull in a grave.

Space of this body.

This instant, space of skull in a grave.

Space of this body.

This instant in a grave.

This instant, space of this body.

This instant, space of a grave.

This instant, space of this body.

This instant, space of a grave.

This instant, space of this body.

This instant, space of a grave.

This instant, space of this body.

Space of the head.

The space of the body.

The space of your head.

The space of your body.

The space of your head.

The space of your body.

This instant, the space of a grave.

This instant, space of this body.

This instant, space of the earth walls of a grave.

This instant, space of a coffin.

This instant, space of dust.

And this instant, space of this body.

Space of the grave.

Space of this body.

Space of a grave.

Space of this body.

Space of a grave.

Space of this body.

Space of a grave.

Space of this body.

Space of a grave.

Space of this body.

Space of a grave.

Space of this body.

Space of a grave.

Space of this body.

Space of a grave.

Space of this body.

Space of a grave.

Space of this body.

Space of a grave.

Space of this body.

Space of a grave.

Space of this body.

This instant, space of this body, space of the head.

Space of the body.

Space of a head only.

Space of the total body.

Space of a head.

Space of the total body.

Space of the head.

Space of the total body.

The space of a grave.

The space of a grave.

The space of this body.

The space of a grave.

The space of this body.

The space of a grave.

The space of this body.

The space of a grave.

The space of this body.

The space of a grave.

The space of this body.

The space of a grave.

The space of this body.

The space of a grave at this instant.

The space of this body.

The space of a grave at this instant.

The space of this body.

The space of a grave.

The space of this body.

The space of a grave.

The space of this body.

The space of a grave.

The space of this body.

This instant, space of this body.

The space of the room.

The space of this body.

The space of the room.

The space of this room.

The space of this body.

The space of a grave.

The space of this room.

The space of a grave.

The space of this room.

The space of a grave.

The space of this room.

The space of a grave.

The space of this room.

The space of a grave.

Space of a grave.

Eight points of the space of the grave.

Eight points, the space of a coffin.

A silk-lined grave.

Lie in a grave with silk and be the space. Sprinkle it with lilies of the valley. And the faint odor of formaldehyde. And the feel of silk. And be the space of this body.

The space of this body.

The space of a grave.

The space of a body.

The space of a grave.

The space of this body.

The space of a grave.

The space of a body.

The space of this grave.

The space of this grave.

The space of a body.

The space of this grave.

A space of a body.

The space of the room.

The space of that grave.

The space of the room.

The space of that grave.

The space of the room.

The space of that grave.

The space of the body.

Space in back of the body.

The space of the head.

The space in front of the body.

The space at the back of the body.

The space of the head.

The space in front of the body.

Space of the head.

The space in front of the body.

Space of the grave.

Present time on the Moon.

Present time here.

Present time on the Moon.

Present time here.

Present time on the Moon.

Present time here.

Present time on the Moon.

Present time here.

Present time on the Sun.

Present time here.

Present time on the Sun.

Present time here.

Present time on the Sun.

Present time here.

Present time on the Sun.

Present time here.

Present time on the Sun.

Present time here.

Present time in that grave. Present time here. Present time in that grave. Present time here. Find a grave and find no grave. A grave and find no grave. A grave and find no grave. The space of the body here. Space of the grave and find no grave. Space of the grave and find no grave. Space of this body here and find no body. The space of the room and find no room. The space of the body and find no body. The space of the room and find no room. The space of this body and find no body. The space of the ceiling. The space of the room. The space of the ceiling. The space of the room. The space of the ceiling and find no ceiling. Space of the room and find no room. Space of the body, find no body. Space of a grave, find no grave. Space of this universe, find no universe.

Get the idea of a water bucket inverted on the body and have that be the space of the head. Fill that space.

Put a washtub inverted over that. Make the water bucket disappear. Have that be the space of the head. Mock up a circular room here. Look through the washtub, find no circular room. Find a circular room. Find no circular room. Find a circular room. Find no circular room.

Look through the circular room and find no space. Now find space and nothingness. Then just nothingness.

Find no mock-ups, no universes, no body, no room, no other people. Find nothing. Sit back and know. Be the space between your ears. The space between your shoulder blades. The space between your ears. The space between your shoulder blades. Space between your ears. The space between your shoulder blades. The space of this room. Space between your shoulder blades. The space of this room. The space between your shoulder blades.

The space in this room.

Make it a bigger room and be the space of the new room.

Have your shoulder blades wider and be the space of your shoulder blades.

Have your shoulder blades be much wider and be the space of your shoulder blades.

Have them be much wider and be the space of your shoulder blades.

Oh, have them be wider than that and be the space of your shoulder blades.

Have a much bigger room and be the space of the room.

Much bigger room and be the space of the room.

Have a much bigger room and be the space of the room.

Much, much bigger room and be the space of the room.

Have little tiny shoulder blades and be the space between them.

Much smaller shoulder blades and be the space between them.

Throw away any residue you have.

Be the space of your body.

The space of your head.

The space of the room.

Find no room.

Find no head.

And find no body.

Be the space of your body.

Sit back and know.

Relax.

Take a look at your right foot and find no right foot.

Look right straight through it and find no right foot.

Right straight through it and find no right foot.

Look at your left foot and find no left foot, while you have no right foot.

Look at your left foot and find no left foot.

Look straight through it and find no left foot.

Look at your right leg and find no right leg.

Look right straight through it, no right leg.

Your left leg, find no left leg.

Your left leg, find no left leg.

Your right leg, find no right leg.

Your left leg, find no left leg.

Your left arm, find no left arm.

Your left arm, find no left arm.

Your left leg, find no left leg.

Your right leg, find no right leg.

Find nothing below your neck. Have your head sitting in thin space. Right through the body and find your head sitting in thin space.

Now get back your total lower body.

Look out the front of your face and find no front of your face.

Through the back of your head.

Find no head now.

Now find no head.

Now find no torso and no legs and no arms.

Find an empty chair.

Sit there and find an empty chair.

Any part which is reluctant, just look straight through it.

And put something beyond for you to look at.

Put something beyond for you to look at.

Put something all around for you to look at, but no body.

Find no body.

Now find no body but find the walls of this room.

Find no body but find the walls of this room.

Find no body but find the walls of this room.

And again, find no body but find the walls of the room.

Now reach for the walls of the room.

And withdraw from the walls of the room.

Reach for them.

Withdraw from them.

Reach for them.

Withdraw from them.

Reach for them.

Withdraw from them.

Find no body.

Reach for the walls of the room.

Withdraw from them.

Reach for the walls of the room.

Withdraw from them.

Reach for the walls of the room.

Withdraw from them.

Reach for the walls of the room.

Withdraw from them.

Reach for the walls of the room.

Withdraw from them.

Reach for the walls of the room.

Withdraw from them.

Find no body.

Reach for the walls of the room.

Withdraw from them.

Reach for the ceiling and withdraw from it.

Find no head now.

Reach for the ceiling and withdraw from it.

Reach for the ceiling and withdraw from it.

Be three feet back of your head.

Find your body.

Find the room.

Be three feet back of your head.

Three feet back of your head, reach and withdraw from the ceiling.

Put another ceiling there.

Change the ceiling again, and reach and withdraw from it.

Now throw that away.

And reach for the ceiling and withdraw from it.

Reach for it and withdraw from it.

Reach for it and withdraw from it.

Reach for it, touch it, and withdraw from it.

Feel the ceiling.

Look at the front corners of the room.

Look at the roof, straight up through the roof.

Straight up through the sky.

Straight up through black space.

Put a roof there.

Put a ceiling there.

Put a room here.

Reach and withdraw from this new room.

New room, reach and withdraw from it.

All right, unmock everything you got mocked up.

Mock up a body in the chair.

Unmock it.

Mock it up.

Unmock it.

Mock it up in the chair.

Unmock it and look straight through it and find no body.

From three feet back of your head, look straight through it and find no body.

Now mock it up.

Now unmock it.

Now mock it up.

Now unmock it.

Now mock it up and look at it.

Now unmock it and look straight through it.

Now mock it up and look at it.

Now unmock it and look straight through it.

Now mock it up.

Unmock it.

Mock it up.

Unmock it.

Mock it up.

Unmock it.

Mock it up.

Unmock it.

Mock it up.

Unmock it.

Mock it up.

Unmock it.

Mock it up.

Now look straight through it and find no body.

Now put a body there.

Now get no body.

Now put a body there.

Now no body.

Now put an entirely different body there.

And unmock it.

Put this new body there.

You can unmock it.

Put this new body there.

And unmock it.

Put it there again.

Unmock it.

Put it there again.

Unmock it.

Put it there again.

Unmock it.

Now get an entirely different body — opposite sex. Mock it up.

Unmock it.

Body of the opposite sex sitting in your chair.

Now unmock it.

Mock it up.

Unmock it.

Mock it up.

Unmock it.

Mock it up.

Unmock it.

Mock it up.

Unmock it.

Mock it up.

Unmock it.

Now, put your own body in the chair.

Get somebody else looking straight through it.

And you put it in the chair, get somebody else looking through it.

And you put it in the chair and get a mob of people looking through it.

And you put it in the chair, get a mob of people looking through it.

And you put it in the chair, get a mob of people looking through it.

Throw those mobs away.

Get another mob of people looking straight through it.

Throw all those mobs away.

Get your body in the chair real solid.

Get it more solid.

More solid.

More solid.

More solid.

Now thinner.

Thinner.

Thinner.

Thinner.

Thinner.

Less.

Less.

Now no body.

Now get a body in the chair.

And be three feet behind it, and pat it on the head and say, "Nice Seeing Eye dog."

And pat it on the head again and say, "Poor body, how mean I've been to you."

Now unmock it.

And get it back again and pat it on the head and say, "Poor body."

And pat it on the head, "Poor body." Give it a little sympathy.

Now unmock it.

Find an empty chair.

Be three feet above the seat of the empty chair, putting no anchor points anyplace.

Put some there.

Vanish them.

Now put some more there.

Now vanish them.

Now put some more there.

Now vanish those.

Put a body in the chair.

Unmock it.

Put it in the chair.

Unmock it.

Put it in the chair.

Unmock it.

Put it in the chair.

Unmock it.

Put it in the chair.

Now pat it on the head. Say, "Nice body."

Now get the idea that just because you're out of it, another thetan grabs it, carries it away and ruins it.

Have an empty chair.

Create a new body in its place.

Have another thetan come along and take this body out and throw it in the river. Spoil it.

And get a body that belongs to some other thetan, you take it down the river and spoil it.

Get it all muddy and messy.

Get it being real dead.

Now make him use it.

All right, unmock all of that.

Mock up your body in the chair.

Change it to a different body.

Change it to your body.

To another body.

To your body.

To another body.

To your body.

To another body.

To your body.

To another body.

To your body.

To another body.

To your body.

To another body.

To your body.

To another body.

To no body.

Get it as no body.

No body.

Again, get it as no body.

No body.

Now put it there again.

Now get no energy in the chair at all.

No energy of any kind in the chair at all.

Nothing of any kind in the chair at all.

No energy in the chair.

No black energy, pink, white, green energy — no energy in the chair.

Put some energy above the chair.

Unmock the energy above the chair.

Mock up the energy on the chair.

Unmock it.

Mock it up.

Unmock it.

Mock it up.

Have somebody else put some energy there too.

Unmock both of them.

Have somebody else put some energy on the chair, you unmock it.

Have somebody else put some energy there, you unmock it.

Somebody else put some energy there, you look straight through it.

Put a body in the chair.

And blow up any residue you have.

Unmock the body in the chair.

Mock it up.

Unmock it.

Mock it up.

Unmock it.

Unmock its aberrations.

Unmock its name.

Unmock its past.

Unmock its future.

Give it a name.

Give it a past.

Give it a future.

Unmock these.

Give it a past.

Give it a present.

Give it a future.

Give it a name.

Unmock these.

Give it a past.

Give it a present.

Give it a future.

Give it a name.

Unmock these.

Mock up your name.

Mock up your body.

Mock up your past.

Change it.

Change it again.

Change it again.

Change it again.

Get how you're an orphan.

Change it again.

Change it again.

Get how you were born last night.

Change it again.

Get how you were born in 1776.

Change it again.

Change it again.

Change your past again.

Change your past again.

Change one thing in particular about your past; make it entirely different story.

Change it again.

Unmock it.

Now mock it up.

Mock up the body.

Mock up your future.

Mock up your name.

Pat your body on the head. Tell it's a nice body.

Be where you please.

And reach for the two back corners of the room.

Contact them.

Don't think.

Contact them.

Contact them.

Don't think.

Contact the two back corners of the room.

And contacting them, reach straight through them.

Now put them there again and reach toward them from the outside.

Hold on to them.

Okay. Let go. Be where you please.

Get this instant, this room.

This instant on the Moon.

This instant in this room.

Okay?

End of session.